Why are both D and D# fitting into my E minor key?
I tried to look around for an answer to this problem but don't know how to ask the proper question in a search engine. I've been working on a song and realized recently that while I had been working on the song in the key of Em (E, F#, G, A, B, C, D) I had accidentally placed D# notes in several of my melodies. The confusing part is it sounds fine and I didn't even notice until I looked closer. What's more, if I change them to D it sounds off key and if I change them to E it just sounds wrong for what the melody is supposed to be doing. I don't have much music theory knowledge but this confused what I thought I knew. Am I misunderstanding something here? Any help and clarification would be appreciated.
scales key
asked 2 hours ago
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I tried to look around for an answer to this problem but don't know how to ask the proper question in a search engine. I've been working on a song and realized recently that while I had been working on the song in the key of Em (E, F#, G, A, B, C, D) I had accidentally placed D# notes in several of my melodies. The confusing part is it sounds fine and I didn't even notice until I looked closer. What's more, if I change them to D it sounds off key and if I change them to E it just sounds wrong for what the melody is supposed to be doing. I don't have much music theory knowledge but this confused what I thought I knew. Am I misunderstanding something here? Any help and clarification would be appreciated.
scales key
asked 2 hours ago
BenBen
261
New contributor
Ben is a new contributor to this site. Take care in asking for clarification, commenting, and answering.
Check out our Code of Conduct.
1
Not-so-random question: do the D sharps tend to occur when the melody is going upward, and the D naturals when it is going down? Alternatively, if you have harmonies, or chords, worked out, do you notice certain chords attracting the D naturals and others the D sharps?
– replete
2 hours ago
Read the answers to this question for more information on minor key harmony.
– Matt L.
18 mins ago
add a comment |
I tried to look around for an answer to this problem but don't know how to ask the proper question in a search engine. I've been working on a song and realized recently that while I had been working on the song in the key of Em (E, F#, G, A, B, C, D) I had accidentally placed D# notes in several of my melodies. The confusing part is it sounds fine and I didn't even notice until I looked closer. What's more, if I change them to D it sounds off key and if I change them to E it just sounds wrong for what the melody is supposed to be doing. I don't have much music theory knowledge but this confused what I thought I knew. Am I misunderstanding something here? Any help and clarification would be appreciated.
scales key
asked 2 hours ago
BenBen
261
New contributor
Ben is a new contributor to this site. Take care in asking for clarification, commenting, and answering.
Check out our Code of Conduct.
I tried to look around for an answer to this problem but don't know how to ask the proper question in a search engine. I've been working on a song and realized recently that while I had been working on the song in the key of Em (E, F#, G, A, B, C, D) I had accidentally placed D# notes in several of my melodies. The confusing part is it sounds fine and I didn't even notice until I looked closer. What's more, if I change them to D it sounds off key and if I change them to E it just sounds wrong for what the melody is supposed to be doing. I don't have much music theory knowledge but this confused what I thought I knew. Am I misunderstanding something here? Any help and clarification would be appreciated.
scales key
scales key
asked 2 hours ago
BenBen
261
New contributor
Ben is a new contributor to this site. Take care in asking for clarification, commenting, and answering.
Check out our Code of Conduct.
asked 2 hours ago
BenBen
261
New contributor
Ben is a new contributor to this site. Take care in asking for clarification, commenting, and answering.
Check out our Code of Conduct.
asked 2 hours ago
BenBen
261
New contributor
Ben is a new contributor to this site. Take care in asking for clarification, commenting, and answering.
Check out our Code of Conduct.
asked 2 hours ago
BenBen
261
asked 2 hours ago
BenBen
261
261
New contributor
Ben is a new contributor to this site. Take care in asking for clarification, commenting, and answering.
Check out our Code of Conduct.
New contributor
Ben is a new contributor to this site. Take care in asking for clarification, commenting, and answering.
Check out our Code of Conduct.
Ben is a new contributor to this site. Take care in asking for clarification, commenting, and answering.
Check out our Code of Conduct.
1
Not-so-random question: do the D sharps tend to occur when the melody is going upward, and the D naturals when it is going down? Alternatively, if you have harmonies, or chords, worked out, do you notice certain chords attracting the D naturals and others the D sharps?
– replete
2 hours ago
Read the answers to this question for more information on minor key harmony.
– Matt L.
18 mins ago
add a comment |
1
Not-so-random question: do the D sharps tend to occur when the melody is going upward, and the D naturals when it is going down? Alternatively, if you have harmonies, or chords, worked out, do you notice certain chords attracting the D naturals and others the D sharps?
– replete
2 hours ago
Read the answers to this question for more information on minor key harmony.
– Matt L.
18 mins ago
1
1
Not-so-random question: do the D sharps tend to occur when the melody is going upward, and the D naturals when it is going down? Alternatively, if you have harmonies, or chords, worked out, do you notice certain chords attracting the D naturals and others the D sharps?
– replete
2 hours ago
Not-so-random question: do the D sharps tend to occur when the melody is going upward, and the D naturals when it is going down? Alternatively, if you have harmonies, or chords, worked out, do you notice certain chords attracting the D naturals and others the D sharps?
– replete
2 hours ago
Read the answers to this question for more information on minor key harmony.
– Matt L.
18 mins ago
Read the answers to this question for more information on minor key harmony.
– Matt L.
18 mins ago
add a comment |
2 Answers
2
active
oldest
votes
Your confusion is understandable because you have the choice of using one, or a combination, of three minor scales: the natural minor, the harmonic minor or the melodic minor. In using a D# you have strayed from the natural minor scale to the melodic minor scale, and this scale has worked for you.
The natural minor scale flattens the 3rd, 6th and 7th degrees of the parallel major scale. The harmonic minor scale flattens the 3rd and 6th. The melodic minor (ascending) only flattens the 3rd, but when descending it is identical to the natural minor, flattening the 3rd, 6th and 7th. The jazz melodic minor just flattens the 3rd, ascending and descending.
These scales are all legitimate minor scales (there are others too). At present you seem to prefer that semitone sound between D# and E, and that's fine.
answered 1 hour ago
Areel XochaAreel Xocha
2,009411
add a comment |
D# makes a nice lower neighbor to E. Likewise, in E-minor, the dominant (B) often has its third raised at cadence points. Minor keys (at least in classical theory) have two mutable notes; scale steps 6 and 7 may be raised to make voice leading smoother or just because it sounds good.
answered 1 hour ago
ttwttw
9,4921033
add a comment |
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2 Answers
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active
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2 Answers
2
active
oldest
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Your confusion is understandable because you have the choice of using one, or a combination, of three minor scales: the natural minor, the harmonic minor or the melodic minor. In using a D# you have strayed from the natural minor scale to the melodic minor scale, and this scale has worked for you.
The natural minor scale flattens the 3rd, 6th and 7th degrees of the parallel major scale. The harmonic minor scale flattens the 3rd and 6th. The melodic minor (ascending) only flattens the 3rd, but when descending it is identical to the natural minor, flattening the 3rd, 6th and 7th. The jazz melodic minor just flattens the 3rd, ascending and descending.
These scales are all legitimate minor scales (there are others too). At present you seem to prefer that semitone sound between D# and E, and that's fine.
answered 1 hour ago
Areel XochaAreel Xocha
2,009411
add a comment |
Your confusion is understandable because you have the choice of using one, or a combination, of three minor scales: the natural minor, the harmonic minor or the melodic minor. In using a D# you have strayed from the natural minor scale to the melodic minor scale, and this scale has worked for you.
The natural minor scale flattens the 3rd, 6th and 7th degrees of the parallel major scale. The harmonic minor scale flattens the 3rd and 6th. The melodic minor (ascending) only flattens the 3rd, but when descending it is identical to the natural minor, flattening the 3rd, 6th and 7th. The jazz melodic minor just flattens the 3rd, ascending and descending.
These scales are all legitimate minor scales (there are others too). At present you seem to prefer that semitone sound between D# and E, and that's fine.
answered 1 hour ago
Areel XochaAreel Xocha
2,009411
add a comment |
Your confusion is understandable because you have the choice of using one, or a combination, of three minor scales: the natural minor, the harmonic minor or the melodic minor. In using a D# you have strayed from the natural minor scale to the melodic minor scale, and this scale has worked for you.
The natural minor scale flattens the 3rd, 6th and 7th degrees of the parallel major scale. The harmonic minor scale flattens the 3rd and 6th. The melodic minor (ascending) only flattens the 3rd, but when descending it is identical to the natural minor, flattening the 3rd, 6th and 7th. The jazz melodic minor just flattens the 3rd, ascending and descending.
These scales are all legitimate minor scales (there are others too). At present you seem to prefer that semitone sound between D# and E, and that's fine.
answered 1 hour ago
Areel XochaAreel Xocha
2,009411
Your confusion is understandable because you have the choice of using one, or a combination, of three minor scales: the natural minor, the harmonic minor or the melodic minor. In using a D# you have strayed from the natural minor scale to the melodic minor scale, and this scale has worked for you.
The natural minor scale flattens the 3rd, 6th and 7th degrees of the parallel major scale. The harmonic minor scale flattens the 3rd and 6th. The melodic minor (ascending) only flattens the 3rd, but when descending it is identical to the natural minor, flattening the 3rd, 6th and 7th. The jazz melodic minor just flattens the 3rd, ascending and descending.
These scales are all legitimate minor scales (there are others too). At present you seem to prefer that semitone sound between D# and E, and that's fine.
answered 1 hour ago
Areel XochaAreel Xocha
2,009411
answered 1 hour ago
Areel XochaAreel Xocha
2,009411
answered 1 hour ago
Areel XochaAreel Xocha
2,009411
answered 1 hour ago
Areel XochaAreel Xocha
2,009411
2,009411
add a comment |
add a comment |
D# makes a nice lower neighbor to E. Likewise, in E-minor, the dominant (B) often has its third raised at cadence points. Minor keys (at least in classical theory) have two mutable notes; scale steps 6 and 7 may be raised to make voice leading smoother or just because it sounds good.
answered 1 hour ago
ttwttw
9,4921033
add a comment |
D# makes a nice lower neighbor to E. Likewise, in E-minor, the dominant (B) often has its third raised at cadence points. Minor keys (at least in classical theory) have two mutable notes; scale steps 6 and 7 may be raised to make voice leading smoother or just because it sounds good.
answered 1 hour ago
ttwttw
9,4921033
add a comment |
D# makes a nice lower neighbor to E. Likewise, in E-minor, the dominant (B) often has its third raised at cadence points. Minor keys (at least in classical theory) have two mutable notes; scale steps 6 and 7 may be raised to make voice leading smoother or just because it sounds good.
answered 1 hour ago
ttwttw
9,4921033
D# makes a nice lower neighbor to E. Likewise, in E-minor, the dominant (B) often has its third raised at cadence points. Minor keys (at least in classical theory) have two mutable notes; scale steps 6 and 7 may be raised to make voice leading smoother or just because it sounds good.
answered 1 hour ago
ttwttw
9,4921033
answered 1 hour ago
ttwttw
9,4921033
answered 1 hour ago
ttwttw
9,4921033
answered 1 hour ago
ttwttw
9,4921033
9,4921033
add a comment |
add a comment |
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1
Not-so-random question: do the D sharps tend to occur when the melody is going upward, and the D naturals when it is going down? Alternatively, if you have harmonies, or chords, worked out, do you notice certain chords attracting the D naturals and others the D sharps?
– replete
2 hours ago
Read the answers to this question for more information on minor key harmony.
– Matt L.
18 mins ago